Presonus Studio 192 Mobile, USB 3.0 Audio-Interface
XMAX preamps + 192 kHz sampling = great sound
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Microphone Preamp |
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Type | XLR Female (via Combo), Balanced Remote |
Maximum Input level (min. gain, 1 kHz@0.5% THD+N) | +12 dBu, ±0.5 dB |
Gain Control Range | 60 dB, ±1 dB |
Frequency Response (A-D) | 10 Hz to 40 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 110 dB |
Dynamic Range (mid. Gain, unwtd) | > 105 dB |
THD+N (min. gain, a-wtd) | < 0.005% |
Input Impedance | 1.6 kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) | < 128 dBu |
Common Mode Rejection Ratio (1 kHz, +55dB gain) | > 55 dB |
Phantom Power | +48V, ±3V, > 8mA per channel |
Instrument Inputs |
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Type | ¼” TS Female (via Combo), Unbalanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +16 dBu ±0.5 dB |
Gain Control Range | 60 dB, ±1 dB |
Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 110 dB dB |
Dynamic Range (mid. Gain, unwtd) | > 105 dB |
THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Input Impedance | > 1 MΩ |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Line Inputs |
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Type | ¼” TRS Female (via Combo), Balanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | + 18 dBu, ±0.5 dB |
Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (min. gain, a-wtd) | > 114 dB |
Dynamic Range (mid. gain, unwtd) | > 105 dB |
THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
Input Impedance | 10 kΩ |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Main and Line Outputs |
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Type (Line Outputs) | ¼” TRS Female, Impedance Balanced |
Type (Main Outputs) | ¼” TRS Female, Impedance Balanced |
Maximum Output Level | +18 dBu, ±0.5 dB |
Frequency Response | 20 Hz to 20 kHz, ±0.2 dB |
Dynamic Range (a-wtd) | > 112 dB |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Output Impedance | 51Ω |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Headphone Outputs |
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Type | ¼” TRS Female, Stereo, Unbalanced |
Maximum Output Level | 150 mW/channel @ 60Ω |
Frequency Response | 20 Hz to 20 kHz, ±0.3 dB |
Dynamic Range (a-wtd) | > 103 dB |
THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Signal Level LEDs |
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Signal 1 | -50 dBFS |
Signal 2 | -30 dBFS |
Signal 3 | -20 dBFS |
Signal 4 | -10 dBFS |
Signal 5 | -6 dBFS |
Signal 6 | -4 dBFS |
Signal 7 | -2 dBFS |
Clip | -0.5 dBFS |
Digital Audio |
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Host Interface | USB 3.0 (backwards compatible to USB 2.0) |
ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
Bit Depth | 24 bits |
Internally Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 kHz |
ADAT Optical I/O | ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)] |
S/PDIF I/O | RCA female connections, supported up to 96 kHz |
Word Clock I/O | BNC connector, 4.5 Vpp @75Ω load |
Clock |
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Jitter | <50 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
Power |
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External Power Adapter | +12 VDC, 3.0A, center positive |
Connector Type | Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
Physical |
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Dimensions | |
Height | 1.75” (44 mm) |
Depth | 7” (178 mm) |
Width | 12.5” (317 mm) |
Weight | 5 lb. (2.3 kg) |