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Categorieën Webshop Audio interface Presonus StudioLive AR8, 8-channel hybrid mixer, USB
Presonus StudioLive AR8, 8-channel hybrid mixer, USB
Channels and Buses
- 8-channel mixer
- 2 mono and 2 stereo channels, each with:
- Level knob
- Pan
- Mute
- PFL solo
- 1 stereo Super Channel (Ch. 7/8)
- 1 monitor bus with PFL solo
- 1 stereo effects bus
- 1 stereo effects return with:
- Level knob
- Dedicated monitor sends
- Effects bypass footswitch jack
Inputs and Outputs
- 2 instrument inputs
- 8 balanced line inputs
- 4 balanced mic inputs with:
- Class A microphone preamp
- Global 48V phantom power
- Stereo Super Channel with:
- Stereo RCA inputs
- 1/8-inch stereo input
- Switchable SD™/USB stereo playback
- Bluetooth 4.1 input
- L/R XLR main outputs
- 1 Balanced TRS monitor output
- 1 Balanced TRS effects output
- L/R Control Room outputs with level control
- Headphone output with level control
Signal Processing
- Highpass filter on every channel
- 3-band semi-parametric EQ (Channels 1-6)
- Stereo effects processor with 16 presets
Recording Options
- 8x4 24-bit/96 kHz, USB 2.0 audio recording interface
- Record every channel plus the main mix
- 2x2 SD recorder
- Record main mix
- Supports SD™ and SDHD™ formats up to 32 GB
Integrated Software
- Capture™ recording software
- Studio One ® 3 Artist recording and production software (DAW)
Power
- Internal power supply
- Standard IEC power connector
Physical
- Sturdy metal construction
- Rackmount kit optional
Computer system requirements:
Below are the minimum computer-system requirements for use with Capture™ and Studio One®.
Mac
- Mac® OS X 10.8.5
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
Windows
- Windows® 7 x64/x86 SP1 +platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
Mac and Windows Systems
- 4 GB RAM (8 GB or more recommended)
- 30 GB hard-drive space (Studio One)
- Internal or external 7200 RPM storage drive highly recommended
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
Technical Specifications
Microphone Preamp |
|
|---|---|
| Type | XLR Female, Class A |
| Maximum Input level (unity gain) | Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB |
| Gain Control Range | Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/- 1.5 dB |
| S/N Ratio to Outputs (+4 dBu) | 89 dB |
| THD+N (min. gain, A-wtd) | < 0.01% |
| Input Impedance | 1 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: < 128 dBu, Stereo Channels: <120 dBu |
| Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
| Phantom Power | +48V, ±3V, Global |
| Note: All Channel Inputs sum through Mic preamp |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female, Unbalanced, Hi-Z |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +12 dBu ±1.0 dB |
| Gain Control Range | 50 dB, ±1 dB (Unity to +50 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (min. gain, A-wtd) | > 105 dB |
| Dynamic Range (mid. Gain, unwtd) | > 108 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| THD+N (1 kHz, -1 dBFS, unwtd) | < 0.01% |
| Input Impedance | > 1 MΩ |
| Note: All Channel Inputs sum through Mic preamp |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB |
| Gain Control Range | Mono Channels 50 dB, ±1 dB (-30 to +20 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| S/N Ratio to Analog Outputs (+4 dBu) | 82 dB |
| THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
| Input Impedance (Balanced) | 10 kΩ |
| Note: All Channel Inputs sum through Mic preamp |
Main, Control Room, Monitor, and FX Outputs |
|
|---|---|
| Type (Main Outputs) | XLR Male, Impedance Balanced |
| Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
| Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
| Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
| Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 108 dB |
| THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
| Output Impedance | 100 Ω |